Margaret Meek Spencer obituary
We were sorry to learn of the death of Margaret Meek Spencer, an inspiration to all of us and an honorary IBBY member. Here, Clive Barnes and Pat Pinsent reflect on her life and work.
Obituary by Clive Barnes, originally written for Books for Keeps
To be asked to write a short obituary for Margaret Meek Spencer, brings on inevitable feelings of inadequacy, particularly as, to my shame, I do not possess a copy of her slim but oh so influential title, How Texts Teach What Readers Learn (1988). But plucking any books of criticism published in the closing decades of the last century from even my shameful shelves, her presence is inescapable. If it isn’t in a contribution of her own, written in typical enthusiastic style peppered with questions that she challenged us to answer, then in the index, revealing her influence on anyone and everyone writing about the interaction of children and books at this time. When Chris Powling, as the then editor, published a best of Books for Keeps in 1994, it was Margaret Meek who provided the foreword.
Alongside Aidan and Nancy Chambers (Thimble Press, of course, published How Texts Teach) and Geoff Fox of Children’s Literature in Education, Margaret Meek was of a generation of critics who were also, or had been, teachers and were as interested in the children as the books. They sought to discover and promote the best in children’s literature, and also to understand through careful observation of children’s interaction with books – and, groundbreakingly, other forms of the written word – how young readers responded to texts. Underpinned by a range of shifting theoretical approaches, this was an explorative and creative project in which those who sought to teach children to read, or encourage an appreciation of literature in young people, set out to determine how and why literature was essential to a child’s development by listening to children themselves.
In a busy professional life, Meek taught student teachers at the University of London School of Education for over twenty years, remaining as Emeritus Reader in Education after her retirement from that role in 1980. She was the reviews editor of The School Librarian for many years and an early recipient of the Eleanor Farjeon Award for services to children’s literature in 1971, when it might be said she had barely got into her stride. As one of the three editors of The Cool Web (1977) she kick-started a discussion about the relationship of literacy with literature: how the teaching of reading might relate to the child’s experience of the world through reading. And this was a question whose ramifications preoccupied her for the rest of her career. With an international reputation, she was a frequent presence at literature and literacy conferences where children’s writers and illustrators came together with teachers, librarians and other figures in the children’s book world and was often called on for a keynote speech or, being quick on her feet, a summing up.
Her particular, but hardly exclusive, interest was in picture books and the acquisition of early literacy and, apart from How Texts Teach she wrote a number of other works whose titles reflect this, among them On Being Literate (1971), Learning to Read (1982) and Language and Literacy (1988). She also made many contributions to collections edited by others. She was an early advocate of the ‘real books’ approach to reading, her entire work predicated on the belief that learning to read was not merely a mechanical process: it was an entry into a relationship within the text with important psychological, social and cultural dimensions in which a reader, even a very young one, both drew on and grew in experience. Her interest was not confined to fiction. She examined information texts, too, and, more than twenty years ago, wondered what the growth of information gathering from CD Roms might mean ‘when we know that books might be better for thinking than screens.’ What did she think of the present dominance of the internet in schools and home?
She was understandably convinced of the distinctive contribution of the book and protective of it, but recognised and celebrated that the book should take its place in a child’s total world of experience. An internationalist, it is significant that one of her later contributions was the editing of Children’s Literature and National Identity (2001), which she saw as a contribution to reducing ethnocentrism and breaking down the isolation of national cultures. Above all, in her work, I sense the legacy of Richard Hoggart’s The Uses of Literacy (1957), a guiding democratic, inclusive, forward looking and activist spirit, which occasionally blazes out. Her contribution to the Books for Keeps collection mentioned above was an explanation of why she didn’t like Kenneth Grahame’s Wind in the Willows, which developed into a heartfelt denunciation of what she called this ‘men’s club’ of a book: ‘I knew what boys did in corners. They formed exclusive clubs, discussed girls whom they looked at sideways without turning round, and taught each other how to exploit the superiority they recognised as theirs by right.’ She hated the book’s ‘excluding and exclusive’ nostalgia. Nailing her colours firmly to the mast, she wrote, for children ‘the excitement of reading is a dialogue with their future… But this [Grahame’s] arcadian world is neither brave nor new; it has too few people in it.’ You don’t have to entirely agree with her about Wind in the Willows to, nevertheless, stand up and cheer.
Obituary by Pat Pinsent
The first time I met Margaret Meek must have been before she retired from the London Univerrsity Institute of Education. She, together with another member of staff, visited us in her professional capacity to discuss the Advanced Diploma in Reading and Related Skills that we were teaching at Digby Stuart College (now a part of Roehampton University). Perhaps it was a consequence of her charisma that somehow, in that in-service Diploma for teachers, we managed to incorporate a proper emphasis on what reading is for, to balance the stress on phonics that inevitably resulted from the fact that much of the inspiration for the course had come from Dr Joyce Morris, a notable enthusiast for that approach to the teaching of reading.
The Cool Web (1977), and, when it came out in 1988, How Texts Teach, certainly provided inspiration for many of our students, both on the Diploma course and in an MA module on the teaching of reading which grew out of it. As for the latter, described above by Clive as ‘this slim but influential title’ – despite having downsized my library, I still retain my own copy of what Meek describes as a ‘workshop’ rather than ‘an essay or lecture’.
Her illuminating display of the implicit teaching about books and life conveyed by John Burningham’s Mr Gumpy’s Outing and Pat Hutchins’ Rosie’s Walk, among others, must have inspired generations of teachers to appreciate the marvellous qualities of the picture books of the 1960s and 1970s. Perhaps inevitably, some teachers took their appreciation of how such books could lay the foundation for delight in literature a little too far, and neglected the need for pupils to acquire the basics of decoding text. But this was no fault of Meek’s, though perhaps it was a testimony to the power of her own writing!
That so many of her books and articles are still to be found on our bookshelves, together with her lively presence at so many conferences, testify to how infectious was her own enthusiasm for children’s literature, together with her delight in seeing children learning what the texts she loved had to teach. She will be missed!